Showing posts with label India. Show all posts
Showing posts with label India. Show all posts

Friday, August 14, 2020

Kashmir

 



।।  कश्मीर ।।

 

एक रूह हो तुम कश्मीर

वैसी,

जिस को जिस्म की ज़रूरत नहीं।

एक शांत म्लान सी

जैसे,

एक निद्रा से उठती गिरती विरहन।

कही तो एक ध्वनि भी हो

जिसको,

खामोशी के हर सुर की मदहोशी हो।

सदियो का दास्तान हो

जो

एक रात मे ठहरी हो।

बाहो मे झेलम हे तेरे

जिस मे

मेरे दुआ का अक्स दिखता हे।

मुझे भी सलाम देने कल

मेरे दोस्त मेरे साथी

तू भी कश्मीर चले आना।


Thursday, July 28, 2011

Human

You will be in heart like a scar
prayer will no longer be innocent
…it perhaps never was
perhaps never meant to be
it is a word with meaning
a word in the dictionary
who found no soul in the living
I look at you as a man
You look at me as a woman
I am what is not meant to be
You are that is all to be
You and I are miles apart
I am a caste, you are religion
I am a gender, you are the culture
I am the discarded… borne by the order
Oh man, look at me once
Am I not but what you are
a small grain like you in sand
a withered skin that you wear too
then why am I cast away
why am I shadow in the way
Pray I thee, soothe the blisters

Quench my thirst, I am a human

Nilanjana Som 08/05/2014; 1816


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azaadi azaadi azaadi... kya hai aakhir azaadi; terii azaadi meri azaadi; bus aur nahi, bas aur nahi ye azaadi; ekk mithya hai ye azaadi; ek jhoot hai ek fareb hai; wajood mitati dhaar hai, ye azaadi; ki ab bas; bas aur nahi ye azaadi; bikhre pade se sej pe dekho kaanch si tooti meri azaadi, teri azaadi; koyee aks nahi koyee shaks nahi, bas mrig-trishna hai ye azaadi; jitna bhi main udna chahoon, baandhti hai mujhe azaadi; lagta hai kuch kum si hai ye azaadi; dum ghoot-ta hai; rooh chikhta hai khoyee kahin hai azaadi; teri bhi hai, meri bhi hai hasrat bas boond bhar azaadi; ek mithya hai, mrig-trishna hai, chhal-kapat ki azaadi; jab koyee nahi main, jo koyee nahi tu, phir kaisi mukti-azaadi
Nilanjana Som 28/02/2015: 2200


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lagta hai abhie toh hatheli pe thii; 
shaayad lakeeron mein mil gayee hogi; 
jab haath ko chehre pe phera; 
woh toh khaali thii; 
na naak, na kaan, na nayan, na honth; 
shaayad maas ka ekk dhela tha; 
haan wohi raha hoga; 
warna kya boo nahi aati; 
cheekhti nahii, 
sannata sunayi nahi deti? 
nahii, haath pe kuchh nahi tha; 
lakeere bhi nahi thi; 
nahi, 
ummeed nahi thi, 
usko toh mare zamana beeta; 
hum toh kabr pe pade chadar se lipte hai, 
koyee daag jaise umr se hai guzre...

Nilanjana Som 28/02/2015: 2220


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ab mujhe chalna chahiye. bahut der huyee kitaab ko pakde. us me rakha patta bhi ab sukh gaya, panno se khusboo bhi ud gayee. sach kahoon toh ab likhayee bhi dhool gayee hai. magar kagaz kora nahi hai. dhyan se dekho toh kuchh avshesh hai. magar kya, samah nahi ata. magar kuchh toh hai. achcha hi likha hoga. bade buzurgo ne likha hai toh achcha hi hoga. naam toh yaad nahi magar gyani the. mitro toh kehte hai sant-mahapurush the. toh achcha hi hoga. main toh samanya hoon. isko maathe pe rakh leta hoo. barish se bheegoon-ga nahi. boonde giri toh siyahi dhul ke seedha mashtishk me aur lalat me tilak bann jayega. buzurgo ne likha hai toh achcha hi hoga. main toh samanya hoon. isko maathe pe rakh leta hoon...
Nilanjana Som 28/02/2015: 2235


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kisi insaan ko dekha hai?
har roz! wo jo shaks bojha dhoye jaa raha hai
wo hi toh insaan hai
uski, uss gathri me insaniyat ka tam-jham bandha hai
ek ek sabhi bhav samet rakhe hai
maang-o toh jhat inkaal kharch kar deta hai
main yahan khaali liye baithi hoon
meri gatthri kahiin kho gayee hai
use dhoondhte dhoondhte, thak ke kinare pe...
aans liye ki shayad, tinka tinka bheekh me
phir se apni insaaniyat jor loon
ya phir chalo, jeena hi chhod doon
ab ye ehsaas jo huya hai
bande hum jaise, waise hi achche
iss duniya me insaanson ke beech
ye laash hi hai sachche...

Nilanjana Som   03/05/2015    2225


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zindagi hai ye zindagi
kisi gair ki nahi
apni hai magar kuchh kum si sahi
n[a] jaane kyun phir bhi
hai ghulam ye kahin
lagta hai jaise kisi ki adhin hai abhi
jo bhage is se to sharm kaisi?
koyee ilzaam to nahi
koyee qaid nahi koyee gair bhi nahi
apni hi hai ye zindagi
to phir kyun ruke hum
tere dar pe jhuke hum
teri ijazaat zaroori toh nahi
dil hai mera ab bhaa huya
ankhein hai door tak dekhti
kuch nahi hai samne magar
pao[n] mein zajeerein kaisi?
hoon mein azaad, suna hi sahi
kyun ki zindagi toh apni hi hai "bande"
kisi gair ki to nahi

Nilanjan Som
27/07/2011
2200 hrs

Friday, September 22, 2006

PONDICHERRY


I travelled to Pondicherry six months after the south coast of India was hit by a Tsunami, to get away from our daily busy and boring life in the hot summer of June. The idea was simply to HOLIDAY!

We had worked out a tight schedule, four places - Chennai, Pondi city, Tanjore and Rameswaram - great distances, not well connected, and with lots to explore. But we wanted to make the most of our trip and why say no to the challenge? Or so we thought. Once we got to Pondi city on the second day, we convinced ourselves to stay therefor four days!

Away from the hustle and bustle of Chennai, Pondi is connected to the state capital via the East Coast Road, which runs all along the Bay of Bengal, The small city famous for its French connection, is one of the four districts of the Union Territory of Pondicherry (the others are strangely spread out: Karaikal in Tamil Nadu, Yanam in Andhra Pradesh, and Mahe in Kerala).

Pondicherry has a long history. But the city till date retains the flavour of its colonisers. Not many know that it was the Dutch, who drew the original city plan, based on which the French built their city – what is now called the 'French Quarter' in the east divided by the Grand Canal from the 'Tamil Quarter' on the west.


It is fruitless to visit any town/ city without an understanding of its cultural context, especially if one is an art lover and, being a Bong, it is utmost necessary. You will hardly find one from my community who is not over informed before they visit any place.

So, our Bengalee genes and (art) historic mind took us straight to the INTACH (Indian National Trust for Art and Cultural Heritage) office to collect interesting information about the city and understand why this particular 'Indian' city was so clean?!

Over the last few decades the city has been under constant developmental pressure, leading to the organic growth of modern concrete shops amongst the older houses thereby ruining the charm of the place. The Government of Pondicherry undertook a project to maintain the 'Pondicherryness of the city' under the Asian Urbs Programme in partnership with INTACH and, two model cities, Urbino (Italy) and Villeneuve-sur-lot (France) and, recognised the Tamil and French quarters as 'Conservation Zone.'. It is one of the few cities in India that is being promoted as a ‘heritage city.’

The 'French connection' is not the city’s only claim to fame. The Aurobindo Ashram is a major highlight as well. It is a definite stop for all the troubled souls, who rinse their soul in the serenity of the Ashram. We stopped because of the Bengalee connection though, not because we are poor souls.

Travellers like us, who cannot spend hours meditating, can stop to buy incenses, perfumes and candles sold at various shops. In fact, they are easily available anywhere in the city – kiosks, outside temples and vendors. My only claim to please and reach the GOD (their's or mine not sure).

Speaking of Peace, try and find accommodation by the sea. When at five o'clock in the morning you hear the waves crashing against the bedrock, one has to fold hands and pray, not another Tsunami. As me, just before leaving I read in the newspaper that a bigger Tsunami is expected by 2007.

Next night I decided to offer my prayers to the Sea God! I sat at the hotel garden facing the sea and managed an hour of spiritual experience to feel the vastness of this water 'element/ bhuta.' I felt like a mini-Krishna; the whole Bay of Bengal inside me. Now I understand how Swami Vivekananda could stand on a foot!

On day two, my friend and I rode the State tourism bus to see Pondicherry. This included a year and a half old temple dedicated to Hanuman-Varaha-Narasimha-Eagle-Kalki built in cement (a small zoo from Heaven), Pondicherry’s famous handmade paper industry, beaches, Matri Mandir, kiosks selling products made of sea-shells, wood, glass to diamonds and, the back waters.

Four days in hand but the essentials of the place covered in just a day gave us some time to kill. At night we decided to try French cuisine - I will not recommend it. So next night, we went to a street in the French quarter with a French name but had Indian food.

To make life easier for at least the tourists, the streets have both French as well as either an Indian or English names. In fact, Pondi is so far the only Indian city I have visited that has proper signage. But they still left me confused! Luckily I had my friend as a navigator.

Continuing with the cuisine, what was surprising was the Vietnamese connection. In brief, many expelled Vietnamese settled in Pondicherry around 1771. Also, many Pondi residents fought in the Indochina region, to restore the royal family who were ousted by the rebels. There is in fact a legion hall for the retired soldiers - Le Foyer De Soldat - to honour the soldiers who waged wars on behalf of France in Europe and the colonies.

In the evening we decided to take a walk in the botanical garden that has the strangest (exotic) names. The garden has a musical fountain, but I can’t guarantee it works. The gardener told us it was laid out in the French style.

If the garden has over 1500 species of plants, the town has over 150 museums, churches, temples, and mosques. Surprisingly there is a police museum too. Mentioning the Pondi police department, I was impressed with their management and efficiency. One realises particularly as a tourist in the evening when the entire city gets out to the Beach Road to take a stroll and enjoy the fresh breeze from the sea. The traffic is well managed, in fact no traffic movement is allowed for sometime on that road, the police are quite vigilant to stop hooliganism of any sort and the safety of the public.

On the last day we stopped at a few to curio shops to check the South Indian style furniture, beds and settees of the Malabar Coast of Indian workmanship and French fashion, metal sculptures and beautiful lamps, all way beyond what our pockets could afford. But I did take every visiting card, just in case!

Pondicherry is a place where you cannot go just as a tourist. In fact, I tried checking the property price; in case I want to settle down later! It is a resort to holiday in its true sense. A place to wine, dine, shop and walk on the streets of the French Quarter. And if you want a taste of Tamil culture just cross the Grand Canal – without a bridge or a boat! Visit the numerous places of worship if you are religious or even otherwise to appreciate the architecture, the amalgamation of the French and the Tamil.

Four days, and we knew each and every street and food joint. We went to holiday and that's what we did. If one needs to holiday, he/ she needs to do it the right way and at the right place!

Tuesday, April 11, 2006

BIKANER

Junagarh Fort - Front View



Fort view through a jali




Junagarh Fort











Light, Colour and Shadow
Diwan-i-Aam








Prachina Museum Building in Junagarh Fort

Display of Arms in Junagarh Fort